L’ordinateur et le théâtre fonctionnent comme des générateurs de réalité virtuelle : tous deux offrent des expériences métaphysiques flottantes, créent des mondes fictifs a l’intérieur desquels les concepts intangibles reçoivent des formes perceptibles. » Mark REANEY Le théâtre/l’acteur/ la réalité virtuelle Trois remarques doivent être faites au début de cette analyse. 1. La […]
Theatrical and Anti-Theatrical Aesthetics in Romania Today
Miruna Runcan Theatrical and anti-theatrical stage aesthetics in Romania today If one wants to really understand the contemporary substance (general horizon, phenomena and/or directions) of the Romanian theatre stage today, a short historical approach is inevitable. As in many other Central and Eastern European cultural spaces, the modern Romanian theatre was dominated […]
POSTMODERN LITERATURE:
BECKETT AND MORGAN – TWO PERSPECTIVES ON POSTMODERNISM It may be that some rough beast will slouch again toward Bethlehem. It may be that some natural cataclysm, or extraterrestrial intelligence will shock the Earth into some sane planetary awareness of its destiny. I have no prophecy in me, only some slight […]
Tsotsi: A Humanist Revolution
This year’s Academy Award winner for Best Foreign Film , Tsotsi, marks a revolution for “third-world” filmmaking. It contradicts the usual standards to which such films are held. This memorable film, made and set in post-apartheid South Africa is proof of the growing accessibility of the film culture. Director Gavin Hood has produced a piece […]
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