Miruna Runcan Theatrical and anti-theatrical stage aesthetics in Romania today If one wants to really understand the contemporary substance (general horizon, phenomena and/or directions) of the Romanian theatre stage today, a short historical approach is inevitable. As in many other Central and Eastern European cultural spaces, the modern Romanian theatre was dominated […]
HIT’n’RUN
HIT’n’RUN Dance & Theatre & Music & Video performance collection SHOW 1. Description of the project and its concept One utopian road/One utopian world A road/space one cannot go in and out of whenever one wants to. The journey represents the quest for a solution, by hitting […]
LULU
lu lu movie script Characters (to be played by one person, preferably female) Victor1 (writer, 34 years old, depressed and isolated as he can not write something valuable) Victor2 (writer, 34 years old, happy and socially integrated) Victor3 (17 years old, hippie teenager, poet wannabe) […]
Alternative Memory:
alternative(m)emory Dear O, I gathered yellow water in my fists. I placed my hand inside the middle of the earth, onto the other shore… Dear O, I wore my green dress and my red hair and obsessively played the piano… Dear O, I read Cartarescu and did Theatre studies. I filled the […]
POSTMODERN LITERATURE:
BECKETT AND MORGAN – TWO PERSPECTIVES ON POSTMODERNISM It may be that some rough beast will slouch again toward Bethlehem. It may be that some natural cataclysm, or extraterrestrial intelligence will shock the Earth into some sane planetary awareness of its destiny. I have no prophecy in me, only some slight […]
PETER BROOK AND HIS INDIA
Motto: Le théâtre est un art dont les grands achetypes existentiales doivent être mis en discussion. Je croix dans un théâtre qui est capable a perturber l’équilibre quotidien au bout de renvoyer l’être humain dans un équilibre de rapports avec TOUT : la vie et la mort, la tradition et l’universel. (Aureliu Manea, Les énergies du […]