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Review – Buy The Ticket, Take The Ride: Hunter S. Thompson On Film

Review – Buy The Ticket, Take The Ride

Directed by Tom Thurman

Starz Entertainment/FBN Productions

What seemingly is a tribute to the gonzo god of literary angst, turns out to be a greedy gluttons’ glorification of a man who was crying out for help. Between the attention seeking antics that consisted of phone calls and backwoods barnyard festivities, I found myself extremely and deeply saddened beyond the norm.

I mean for chrissake – Leonard Maltin? Get him out of there. No credibility here my friends. Sean Penn anxious to let us how much he loved the “4am HST calls” as did John Cusack and every other celeb who found it amusing , challenging and an honor to be graced with the madman’s decadent form of approval.

Befriended by the Dr. prior to filming, Johnny Depp takes a deep look at the soul survivor we’ve come to know & love only to act out as a kid in a deranged voodoo confectionary – confused as too what hex he should cast first. He did however, help fulfill Hunters’ request for a funeral procession (20 years in the making) complete with the explosion of his ashes so they would nestle amongst the Colorado valley that he called a shooting range and a home.

The novelty has certainly worn thin; Hunter did not want to be around this planet longer that he had to be. However, he was – in no way, shape or form to be portrayed neither the Town Crier nor the Village Idiot.

Rehashed footage from the BBC and various TV interviews that have been available for years, vie for the clarity we need to understand.

The only true spirit that shone upon his desecrated soul would have to be from the hearts and voices of Ralph Steadman & Bill Murray who portrayed Hunter to worldwide acclaim in the filmWhere The Buffalo Roam.

Exploitation can be a good thing- an entertaining thing, if done right. Hunter himself would have gasped at the legerdemain of this documentary, a visual sideshow from under the media’s circus tent. The question remains though -who’s the star freak?.

E.S. Day: E.S. Day - 39, born in St.John’s Nfld., grew up on the west coast in North Vancouver, relocated to Ottawa then Toronto, Halifax and spent the remainder of his years in Toronto. Afterwards, he spent 11 years in music retail with the largest flagship stores in Toronto, his diligent stance on promoting good music garnered him a commendation from the president of Warner Music Canada…and a free lunch. It didn’t stop there, Scott also toured the country for 2 years as the drummer for Hypnotic/A&M recording artists “Blackglama” A stint as Marketing Director for Parkland Records led him to a management contract with three of their artists. His skills also found him booking/promoting shows with/for notable urban artists such as Mos Def and Jill Scott.

As a writer, he has been featured in Vice Magazine, The Nerve, Absolute Underground, Metal Forces(UK) & Washingtonpost.com and more. He is currently the editor for Abort Magazine and producer for ABORT TV. He has recently teamed up with some local notables and they are working on….well, we would have to kill you. Add to this, voiceovers, jingles, publicity campaigns for local talent and a successful career, as a disc jockey. Radio, mobile and club.

“I’ve worn a lot of hats in the music business, but I ‘d have to say music journalism is my niche and my calling”. Comfortable being a Jack-Of-All- Music-Trades, Scott plans on having his “Tell all” memoirs of 20 years in the business, published by 2008.

Copyright © 2007 E.S. Day. All Rights Reserved.
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